Wednesday, August 10, 2011

Press Release from Westerblog: Uglies Movie


[As mentioned above, this is a press release.  It can be found here.]


DAVIS ENTERTAINMENT AND LOLA VFX TEAM TO PRODUCE SCOTT WESTERFELD’S NEW YORK TIMES BEST-SELLING FUTURISTIC TRILOGY. “UGLIES” BEING PREPARED AS FIRST OF THE PLANNED LIVE ACTION FEATURES

Project Signals Premier Visual Effects Company Move Into Film Production

LOS ANGELES (JULY 24, 2011) – Producer John Davis and the founders of Lola Visual Effects (Lola VFX) will team to finance, develop and produce a theatrical, live action feature based on Scott Westerfeld’s New York Times best-selling “Uglies,” the first of his futuristic trilogy first published in 2005.

The filmmakers have also acquired Westerfeld’s PRETTIES and SPECIALS, the remaining trilogy installments published by Simon Pulse, a Simon & Schuster company, with total sales of over 3 million copies. Jacob Forman (“All The Boys Love Mandy Lane”) will write the screenplay.

UGLIES will be produced by John Davis (“Mr. Popper’s Penguins,” “I, Robot”) and Jordan Davis (“Jump In”), along with Colin and Greg Strause via their Hydraulx Entertainment banner. Lola’s Edson Williams and Thomas Nittmann will executive produce along with Adam Schroeder

Lola is the groundbreaking visual effects company paving the way for an entirely new level of story-telling, most recently transforming Chris Evans into the 90-pound weakling Steve Rogers for CAPTAIN AMERICA: THE FIRST AVENGER. The company was founded by Colin and Greg Strause, Edson Williams, and Thomas Nittmann.
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Set in an Orwellian future in which teens undergo surgery on their sixteenth birthdays to become supermodel “pretty,” UGLIES is the story of Tally Youngblood, one such “ugly” teen who is forced by authorities to forgo her transformation until she infiltrates The Smoke, a community of rebels who choose to retain their appearance and live outside of normal society. Tally soon discovers appearance isn’t everything and her world is not all that it seems.

“’UGLIES’ is a smart, youthful, and edgy trilogy peopled by sophisticated characters who have to navigate through a dangerous but fascinating world,” stated John Davis. “We are at this time in the development of cinema magic where we have the proper technology to fully realize Scott’s vision for the screen.”

In addition to CAPTAIN AMERICA, Lola is the company behind Brad Pitt’s youthification in THE CURIOUS CASE OF BENJAMIN BUTTON and flawless twining of Tyler and Cameron Winklevoss in THE SOCIAL NETWORK.  With this technology and expertise, Lola will handle the dramatic transformation of characters into the “pretty” versions of themselves while Hydraulx will create the futuristic world of UGLIES, an exquisite yet eerie dystopian future.

Stated Greg Strause: “With UGLIES, Scott created a visually stunning world that capitalizes on the strengths of both Lola and Hydraulx.  Our partnership demonstrates the expanding possibilities of enhancing creative storytelling with innovative visual effects.”

Hydraulx is an award-winning visual effects facility with work including 300, THE DAY AFTER TOMORROW, 2012, BATTLE LOS ANGELES, PIRATES OF THE CARIBBEAN: ON STRANGER TIDES, and AVATAR, the latter two films in 3D.  Founded by Colin and Greg Strause, the company leverages the Brothers’ extensive filmmaking experience to provide a comprehensive and unparalleled photographic and photorealistic approach to visual effects.

DAVIS ENTERTAINMENT
Chairman of Los Angeles-based Davis Entertainment, John Davis has been a producer on more than 80 feature films and movies for television that have earned more than $4 billion worldwide.
Davis’s three divisions–-feature film, independent film, and television-–develop and produce film and television projects for the major studios, independent distributors, networks and cable broadcasters. The Company, established in 1986, has enjoyed a long-standing first-look production deal at 20th Century Fox, though also  produces projects for all studios and mini-majors.
Some of Davis’s films include the Jim Carrey starring “Mr. Popper’s Penguins,”  “Gulliver’s Travels” starring Jack Black; the hit sci-fi thriller “I, Robot” starring Will Smith; “Norbit,” starring Eddie Murphy (in their fourth film together) for DreamWorks/Paramount; “Garfield,” which earned $200 million at the worldwide box office, for Fox; the $100 million-plus hit Eddie Murphy comedy “Daddy Day Care;” the blockbuster “The Firm,” starring Tom Cruise; “Courage Under Fire,” starring Denzel Washington; “Waterworld,” starring Kevin Costner; “Predator,” starring Arnold Schwarzenegger; the two hugely successful “Dr. Dolittle” films, starring Eddie Murphy; the Jack Lemmon/Walter Matthau trilogy “Out to Sea,” “Grumpy Old Men,” and “Grumpier Old Men;” “Alien vs. Predator,” an action thriller combining the two classic creatures, and its sequel “AVP2,” for Fox, among many others.

Book Review: Leviathan (and Behemoth)

The year is 1914. Europe is on the cusp of war. Archduke Franz Ferdinand and his wife Sophie have just been assassinated.

And Prince Aleksander of the Austria-Hungary Empire is right in the middle of it.

Meanwhile, thousands of miles away, Deryn Sharp stands in line with the other recruits for the Royal Air Service, trying hard to get into the military.

Only problem is, Deryn is a girl. And girls are not allowed in the military.

The meeting of the two will forever change history.

---

This trilogy by Scott Westerfeld, set at the very beginning of World War I, is every steampunk-loving history-fanatic's dream. Westerfeld's world, an alternate history of our own, is set between two clashing ideals: "clankers", the nations using mechs, giant metal warriors and the "land dreadnaughts" to fight their wars  (Germany and Austria-Hungary), and "Darwinists", who use Darwin's studies of evolution and DNA to literally create war machines out of animals.

Westerfeld weaves true historical facts in with his own science and mechanical world. Wonderfully written, often switching between Deryn and Alek's point of view, this novel will give you a little more insight as to what happened at the dawn of World War I.

The author teases the avid 'shippers throughout the entire first two books with Deryn's developing feelings towards Alek.

Featuring a variety of characters, ranging from teenage rebel to archduke to scientist, Leviathan is certain not your average historical fiction. It feels somewhat reminiscent of works by Dianna Wynne Jones (Howl's Moving Castle, Castle in the Air, House of Many Ways) or some of acclaimed director Hayao Miyazai's films (Castle in the Sky, Porco Rosso, Kiki's Delivery Service).

The last book of the trilogy, "Goliath," is set for US release in October of 2011.
EDITOR'S UPDATE:  New release date is September 20, 2011

Pros:
-science
-flying whales
-Westerfeld's characteristically wonderful world building
-...and great invented dialect
-fencing
-gorgeous illustrations

Cons:
-minor language
-some sexual situations that are fairly minor but, ah, not mainstream
-some violence (not really graphic or disturbing)
-evolutionary theory may not sit well with some

Monday, March 21, 2011

Reading List: What Rin is Reading

Sorry I haven't posted in a while.  I tried to make it better with the Teenage Liberation Handbook review, and Kat posted a wonderful music review soon after.  But I thought I'd update you about my reading habits, in case you were interested (or just bored).  If and when I post reviews, I'll edit this and link to the articles for you.

Non-Fiction:

Do Hard Things by Alex and Bret Harris (*****/5)
How to be a Hepburn in a Hilton World by Jordan Christie (****/5)
The Bible by God (it makes me happy every time I get to type, "by God" like that.  Any way, veryone should read it, although you might not want to take it on Genesis straight to Revelation your first time. *****/5)
The Case for Faith by Lee Strobel (*****/5)
Mere Christianity by C S Lewis (*****/5)


Fiction:

The Flavia de Luce books by Alan Bradly
*The Sweetness at the Bottom of the Pie (****/5 stars)
*The Weed that Strings the Hangman's Bag (****/5)

The Sword in the Stone by T H White (not yet finished)
The War of the Worlds by H G Wells (****/5)
The Secret Sharer & Heart of Darkness by Joseph Conrad (not yet finished)

Sunday, March 20, 2011

Album Review: Sigh No More

Mumford & Sons, a folk-rock group from West London, has recently taken the alternative music scene by storm. The quartet was formed in 2007 and has finally released an album--"Sigh No More"--in 2010 here in the US.

"Sigh No More" has twelve tracks, each one unique but still somehow very fitting to the other songs on the album. The take the power and energy behind your average rock song by, say, Kings of Leon or Green Day, and fuse it with instruments like banjo, piano, guitar, fiddle, and even trumpet on a few tracks. They have a distinct folk/country sound that sets them apart from many other bands.

Their sound is not the only thing that's unique about Mumford and Sons; their lyrics, too, are mind blowing and more than a little unusual. The band makes references to Shakespeare's "Much Ado About Nothing" in the titular track and uses phrases such as "the flesh that lived and loved will be eaten by plague" in "Winter Winds". In "The Cave" there are references to Plato's "Allegory of the Cave" and Homer's "The Odyssey". Christian and biblical hints are prevalent throughout the entire album, as well.

Tracks:
1) Sigh No More
2) The Cave
3) Winter Winds
4) Roll Away Your Stone
5) White Blank Page
6) I Gave You All
7) Little Lion Man
8) Timshel
9) Thistle and Weeds
10) Awake My Soul
11) Dust Bowl Dance
12) After the Storm

Overall, the album is inspiring and full of hope, heartbreak, and everything in between.

PROS:
-Fantastic musicality
-Folk/rock
-Trumpets. Oh, yes.
-Lyrics with meaning
-Songs not just about love

CONS:
-Occasional adult themes
-Language (especially in track 7)
-The tracks, after a while, start to blur into one
-Not much different musically

RATED T+ FOR LISTENERS AGE 14 AND UP!

Wednesday, March 16, 2011

Book Review: The Teenage Liberation Handbook

Hate school?
Can't stand your teacher?
Don't see the point in all of those late nights spent on Chem 101?

Quit school.

     That's exactly was Grace Llewellyn advocates in her Teenage Liberation Handbook.  Llewellyn, an ex-school teacher who went through school herself, presents a rarely considered option to typical school: unschooling.  Following in the footsteps of John Holt and John Gatto, Llewellyn explains the horrible way American compulsory schooling attempts to teach young adults.  TLH presents autodidactism, or self-teaching, as a legitimate and deceptively simple way to prepare for life.
     The book is not perfect; in teens who cannot leave school it could make a bad situation unbearable.  Some of the language feels like it's coming from a hippie who has not yet out grown peace and natural living, however I thought it refreshing to hear someone saying something that desperately needs to be said to someone who desperately needs to hear it.
     I am already a largely self-taught homeschooler, but this book made me excited about my education all over again.  I had been content with my four-years-of-high-school-then-go-to-college-get-married-etc. plan. Suddenly, I wanted to travel the world, start a business, and go to college early.  That sounded so much more interesting than school!  Come to think of it, it might even be considered more "educational".


Pros:
*Explains the evils of the formalized school and provides a clear alternative.
*Presents practical advice and answers many questions.  (About parents, legality, college, among others.)
*One of the few homeschooling or unschooling books that speaks directly to teenagers.
*Demonstrates how life counts as education.  (I have a small gardening business, lets see, that's economics, writing, marketing, biology, agriculture. . . .)


Cons:
*Has the potential to make you feel horrible if you're still in school, went to school, are sending your kids to school, heck, even if you're a relaxed homeschooler.  (Good if you can fix your situation, BAD if you can't.)
*Occasionally comes off as condescending or hippie-ish.
*Mild language.
*It costs an awful lot on Amazon.  (Get it at your library.)

Thursday, November 18, 2010

Album Review: Sleepless by Kate Rusby

     Kate Rusby has a magical talent: she breaths new air into traditional tunes, but endows her own compositions with a timelessness so perfect as to blur the line between old and new.
     Sleepless, the second album from South Yorkshire native Rusby, is a melancholy-sweet collection of folk from the British isles.  Songs range from the sassy, original jig 'The Cobbler's Daughter" to the slightly creepy traditional aire, "The Unquiet Grave."  Rusby's voice is one-of-a-kind, soft, quiet and almost husky.  Her piano and guitar accompaniments complement her arrangements without being simplistic.
     Is there anything bad I can say about this album?  Is it overproduced or overly simplistic?  No.  Too long?  Too short?  No.  Obnoxious guest artists?  Again, no.  This flawless album is a gem in the world of folk.


Pros:
*Beautiful voice
*Beautiful music
*Nice variety of songs

Cons:
*
A murder by an over protective mother
*A ghost
*A cow stalker
*A duke with a twisted sense of humor
*A drunk tinker (the butt of the aforementioned duke's prank)
*A maid who learns, too late, that her lover is already married
[Basically, it's English folk: just what you'd expect.]

Album Review: Illuminations by Josh Groban

I will not lie: I am a Josh Groban fan.  I own Awake, Closer, Josh Groban and the "best" songs from Noel, and Josh's live album.  As soon as I discovered a new album in the works early in 2010, I found myself constantly checking Josh's website for details.  Illuminations was released without much to-do on November 15, 2010.  So, naturally, I bought it...November 15. And it has already been well listened to.
Obviously, I'm pleased with the new album.  But, lyrically and musically, how does it stand up to Josh's earlier releases?  Does this album stand alone?  Or am I being seduced by Josh's rich, lyrical voice?

Illuminations will be enjoyed by long time fans of classical/pop crossover, and will hopefully attract some new listeners as well.  Those who complained that Josh only produces "sweet and corny love songs" will find Illuminations a bit more down to earth.  Long time fans will be pleased that Josh's voice still shines in four different languages, and the thirteen songs will leave listeners satisfied but not overwhelmed.  The instrumentation seems simultaneously grander and more raw.  Do I like it?  Yes, I do.  Will you?  I don't know, but this might help:
Song Break Down:
1) The Wandering Kind (Prelude)  An instrumental piece is an interesting way for a vocal artist to start an album.  Even so, it's one of my favorite tracks.  Piano driven in the beginning, it dissolves into a pretty little piece that reeks of romantic melancholy.  Good noveling music.

2) The Bells of New York City  Pretty, romantic, sad...hey, sounds like The Wandering Kind!  Not much to it lyrically, but the music is beautiful.  Every time this song starts, I think it's something by Phillip Glass.  According to my mother (who is also a Groban fan), it's a disguised Christmas song.

3) Galileo (Someone Like You)  Unfortunately, I don't like this song at all.  The lyrics aren't really there and don't seem to match the music.  Sorry, Josh, but this one's a dud.

4) L'Ora Dell'Addio  Slow and a little sad, this song show's Groban's voice nicely.  Some parts feel like lyrically cramming.  

5) Hidden Away  Please don't keep your love hidden away.  A sweet song requesting a girl to show her love, instead of hiding it.  This song reminds me of You Are Loved

6) Au Jardin Des Sans-Puorquoi  It's French.  Nothing else, good or bad, sticks out about this song.

7) Higher Window  One Amazon.com reviewer complained that this song "sounded religious".  It does, but it's subtle and I can't decide what religion it's referring to.

8) If I Walk Away A "poppier" tune than some on this album.

9) Love Only Knows  Another pop influenced song.

10) Voce Existe Em Mim  Possibly the coolest non-English song I've ever heard (it's in Portuguese, if you were curious).  I love it.  Go listen to it.

11) War At Home  Sad but encouraging without sappiness.  This is one of my favorites.  Two ambiguous uses of the word "hell".

12) London Hymn  Composed of a creepy choir.  Moody and pretty, but lacks depth because, well, it lacks lyrics.

13) Straight to You Other than some lyrics-not-matching-the-music problems, this is a wonderful song.  It also has a few phrases that might make Christians uncomfortable (Heaven has denied us it's kingdom/
The saints are drunk and howling at the moon/ And the chariots of angels are colliding).